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Pride and Prejudice

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I create my art using vinyl stencils and large box filled with Montana Black spray cans in a wide array of colors. Here's the step-by-step process:

  1. The preparation is where much of the effort lies. I start out with source material from photographs and movie stills, using Photoshop to build the concepts I envision. The key is to simplify these images into just a few color layers that are aesthetically pleasing and maintain structural integrity once they are cut into stencils.
  2. The cutting. Previously I did this by hand using an x-acto knife and paper stencils. Not only was this very labor-intensive and gave me RSI, the fact that paper stencils are not re-usable had a negative effect on the creativity. I found myself making designs simpler and in fewer layers simply to save myself from a lot of work. Fortunately, I’ve since upgraded to a plotter that cuts precise, reusable vinyl stencils. There is still some work involved (especially since I can only cut 30cm wide stencils so I have to stitch them together) but I can design them much more elaborately than before.
  3. Then, layer by layer, I build the painting on a canvas or canvas board. Each layer does not necessarily correspond to a single color; rather, by smoothly blending colors I can create illusions of depth and more complex color transitions. This technique allows for the creation of smooth, textured effects that maintain the sharp edges and fine details that are characteristic of stencil art.

    Don’t you miss the days when you manually picked a cd or a vinyl album to play, or a mixtape you carefully put together, rather than having The Algorithm play a ‘mood’ for you? The physical act of putting a cartridge into a playback device, it had something magical. The simple push of a button. No fumbling for a password, no interruption from a Windows update, no keyboard, no loading times. But, unfortunately, all your music is in the cloud nowadays. That wretched cloud, taking the fun out of music, with its stupid infinite storage. Well, we fixed that, by using the music from the cloud and the interaction of physical object.

    Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theatre, had not crossed the doors of one for twenty years.

    From controversial actions to outright hateful and idiotic comments, on to downright election fraud, Musk’s behaviour has been disturbing and absolutely despicable for a long time now. This isn’t just about a slip-up here and there, it’s a pattern, and I’ve decided to make a list. This will in no way be complete, but even a fraction of it will show that Musk is a grade-A dangerous man. He is a misogynistic, narcissistic, sexist, evil man who is too powerful for our well-being and who is hurtful to society. When you or I get irritated, we might hurt someone’s feelings. When he gets irritated, people get fired, people get discriminated against, get hurt in car crashes, get COVID, get ‘X Æ A-12’ as an actual first name, or billions are lost on the stock market, children are being kept from their mother, and misinformation is spread.

    So powerfully did the whole grim aspect of Ahab affect me, and the livid brand which streaked it, that for the first few moments I hardly noted that n

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