The Palm Tree, is the third installment and last of The Inflatable Series - large paintings (70x100 cm or 28x40") of inflatable pool floats. The first being The Flamingo, the second The Swan. The Palm Tree concludes the series that is meant to give a summery feel. A blue sky, a Mediterranean wall and a bright reflection on the shiny plastic tree refer to sunshine, happiness, and holiday. While a regular palm tree is part of the everyday surrounding for many people, an inflatable palm tree is purposefully meant for relaxation. Like puppies or a birthday cake, there is nothing as unconditionally inoffensive as an inflatable pool float.
I create my art using vinyl stencils and large box filled with Montana Black spray cans in a wide array of colors. Here's the step-by-step process:
My copilots invented their own sorting methods that didn't sort. Inputted non-existent function names. Windsurf cheerfully discarded the contents of multiple functions and replaced them with 'your code here' because the context became too complex. It's like an over-enthusiastic junior who sometimes has brilliant insights, but also regularly blindly copy-pastes code that turns out to be complete nonsense. Windsurf even managed to write Python code in a JavaScript file. In the end, I was spending so much time cleaning up that when the connection to the AI server was briefly gone, I just left it. It was faster, or at least less frustrating, without this confused sidekick.
So powerfully did the whole grim aspect of Ahab affect me, and the livid brand which streaked it, that for the first few moments I hardly noted that not a little of this overbearing grimness was owing to the barbaric white leg upon which he partly stood. It had previously come to me that this ivory leg had at sea been fashioned from the polished bone of the sperm whale’s jaw. “Aye, he was dismasted off Japan,” said the old Gay-Head Indian once; “but like his dismasted craft, he shipped another mast without coming home for it. He has a quiver of ’em.
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