Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theatre, had not crossed the doors of one for twenty years.
Don’t you miss the days when you manually picked a CD or a vinyl album to play, or a mixtape you carefully put together, rather than having The Algorithm play a ‘mood’ for you? The physical act of putting a cartridge into a playback device, it had something magical. The simple push of a button. No fumbling for a password, no interruption from a Windows update, no keyboard, no loading times. But, unfortunately, all your music is in the cloud nowadays. That wretched cloud, taking the fun out of music, with its stupid infinite storage. Well, that nuisance is solved now, by using the music from the cloud but the interaction of physical object.
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My copilots invented their own sorting methods that didn't sort. Inputted non-existent function names. Windsurf cheerfully discarded the contents of multiple functions and replaced them with 'your code here' because the context became too complex. It's like an over-enthusiastic junior who sometimes has brilliant insights, but also regularly blindly copy-pastes code that turns out to be complete nonsense. Windsurf even managed to write Python code in a JavaScript file. In the end, I was spending so much time cleaning up that when the connection to the AI server was briefly gone, I just left it. It was faster, or at least less frustrating, without this confused sidekick.
The Palm Tree, is the third installment and last of The Inflatable Series - large paintings (70x100 cm or 28x40") of inflatable pool floats. The first
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